Q&A with David D. Levine
How do you make world-building choices when writing alternate history?
All of the pieces have to make sense together. Given the alternate-history premise, how would economics, politics, and warfare change? How about fashion and sports? How would these changes affect each other? I try to think through the implications of the initial change, and every change that results from it, until I come up with a fully-realized world where the reader can say “ah, of course that would follow.” I also pull in a lot of unexpected details from real history, which is weirder and more surprising than anything I could make up.
What inspired you to write Arabella of Mars?
Like many great successes in life, this one came from failure. I was shopping my first and second SF novels and working on a third, but editors and agents kept telling me categorically that “SF doesn’t sell.” I didn’t really believe it, but if the editors and agents did that was a sufficient obstacle. So I looked through my ideas file for something that was sufficiently SF for my own self-respect (and to hold my interest through the two years it takes me to write a novel) but close enough to Fantasy to match the market’s tastes. The idea I settled on was this: “What if the sky were full of air?” The answer, eventually, was Arabella of Mars.
What is your favorite quote from the book?
Wow, that’s a toughie. But I’m quite fond of this paragraph from the prologue:
Some day, Arabella thought, perhaps she might take passage on such a ship. To sail the air, and see the asteroids, and visit the swamps of Venus would be a grand adventure indeed. But to be sure, no matter how far she traveled she would always return to her beloved Woodthrush Woods.
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