Here’s an excerpt from the interview with J.J. Abrams featuring in issue #20 of Star Trek Magazine.
Every director approaches a script differently initially; when you read a script for the first time, do you visualize it, hear it, and see it edited?
When I’m writing something, I tend to see it specifically, at least in ways that are usually more clear than I even realize – meaning, I’ll see things in a certain direction. I’ll see the composition of a shot or a sequence. But because it’s such a collaboration, part of the fun is discovery. The actors that you get, the director of photography you work with, the production designers: they all have ideas. While you may have a certain vision, there’s an immense amount of flexibility and fluidity that you have to approach any project with that accounts for the unexpected, which is usually the thing that makes it good.
Were there specific sequences in Star Trek where you had one idea going in, and then on the floor, it went differently?
What I tried to do on this movie was not storyboard anything that I could avoid storyboarding. For example, if it was any scene that didn’t require the kinds of visual effects preparation that would demand that kind of specific planning, I would try and let it go, and do it on the fly. We’d make it up as we went along, because that’s usually the fun of it. There are certain sequences where I had ideas in my head, certain scenes with the characters, that when the day came to shoot them, I suddenly found myself throwing out whatever preconceived notions I had, and seeing what felt right and what the actors would go to naturally, and adjusting things from there.
Read the full interview in issue #20 of Star Trek Magazine – on sale now.
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An excerpt from an interview with Alice Krige featuring in issue #20 of Star Trek Magazine.
“I came to the conclusion that the Queen was the Borg. Is the Borg. The Borg is an extension of her. I had read A Brief History of Time by Stephen Hawking beforehand, and in the course of trying to find out who she was, I went out and got a copy of the video. Somewhere in it he says the old adage, ‘Energy is not created or destroyed.’ And I thought of the Borg Queen. She’s been around since the beginning of time, since the Big Bang or whatever. And she is the energy source behind the Borg. She is just the physical manifestation of that energy.
“I had some interaction on the mask with Scott Wheeler, who also did my old age makeup for my character on [the movie] Skin. For the Borg Queen, there were only two things I asked him for. He had sculpted in eyebrows and I asked him to take them away. I thought it would give her a fixed expression. The shape of the eyebrows was like Cruella de Ville and I didn’t want that painted on my face. The other thing was that my mouth was quite red. In contrast to the color of my skin, my lips looked redder. It’s almost an optical illusion. They had made my skin so pale that it stuck out. And there was a point when they wanted to damp down the color of my mouth. They thought it was too red. And Scott and I hung in there to be allowed to use the color of my own mouth.”