The Novice Blog Tour: Guest Post and Giveaway

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Creating Fantasy Worlds
by Taran Matharu

Writing in a fantasy world is no easy task. World building is tricky – too much too soon and you’re info dumping. Too little too late and the reader will have very little idea of what the world is like.

But that’s not what I’m here to talk about. Instead, I want to talk about creating the world in the first place, before you write it all down. In fantasy, the world is often the first thing readers look at when deciding if it’s a book they would like to read, so it’s important to make it a good one.

So here goes. My five stages of creating a new world:

Step 1: The Premise

Very often, you will know what the premise is already; otherwise you would not be writing a book. Maybe you want to write about dragon riders vs. necromancers. So drill down into these things first. Is there a military element to the dragon riders and if so, what’s it like? How many types of dragon are there? Are necromancers born with the ability, or is it taught?

Step 2: The Wider World

Once you have the main stage set, ask yourself, how does this affect the day to day of the wider world? Are there dragon transports, carrying goods back and forth? Do people no longer fear death, knowing they can return as the undead? Is this a medieval fantasy, or are there gunpowder weapons powerful enough to take down a dragon? These are the things you need to explore before you begin writing. It will add detail and colour to the world you build, and the story will be all the richer for it.

Step 3: The People

Quite simply, a world is only as good as the people in it. It is somewhat an extension of Step 2, with more focus on the different groups of people who populate the world. Using the same example, you might ask yourself, are there undead slaves and manservants doing all the work? Perhaps there are activists, campaigning for undead rights. What are dragon riders like? What weapons do they use? Do auxiliary troops support them, or do they fight alone? Again, these questions will not only allow you to build a more coherent world, but also allow you to develop the characters that will feature in your book.

Step 4: The Geography

The fantasy map is always fun to design. But it also serves as an important backdrop for your world. Is it a tropical paradise, full of mountains for dragons to roost in? Or is it a flat wasteland, perfect for roving hordes of zombies.
The landscape the world takes place in is important. Although great swathes of purple prose describing the landscape can be irritating. Find the right balance and your work takes on a cinematic quality. Laying this all out early will help you when developing your world and the plot itself. Do the distances involved have an impact? Are some places impassable, requiring the hero to take a certain route?

Again, Step 2 comes into play here. With zombies everywhere, you might have enormous walled cities, the last bastions for humanity’s survival. Or maybe it is the dragons that are the real threat, scaring people into living in underground cities.

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Step 5: Choosing What Belongs and What Doesn’t.

Be ambitious, but realistic. At the same time, try to stay flexible.

If you’re anything like me, you’ll have more ideas than you can count. Keep them all in the back of your mind as you write, but always be aware of one thing:

Sometimes, a world can be too complex and creative. You’ll find yourself bogged down in lengthy explanations, or exploring some aspect of the world’s intricacies that throws the plot off course. Be wary of your book becoming an encyclopaedic exploration of a world, rather than a story.

Finally, don’t be afraid to adapt as you write. Maybe some aspect of the world doesn’t fit, or you can’t do it justice in the text you can spare to feature it in. Perhaps it has no relevance to the story, serving as a distraction rather than a backdrop. When writing, it’s important to keep to the core of the world first and filter in the rest when it feels natural. Your writer instincts might warn you that something isn’t quite working. Listen to them if they do.

I hope these tips help you when you set out on your own writing journeys. Does a world full of orcs, elves and dwarves with an academy for summoning demons tickle your fancy? If so, feel free to check out my debut novel, Summoner: The Novice. Thanks for reading!

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Courtesy of Macmillan, I have a copy of Summoner: The Novice for one (1) lucky winner!

Contest is open to US residents only. No PO Boxes please. To enter, just fill out the form below. Contest ends May 29. I’ll draw a name on May 30, and notify winner via email.

ENTER DAILY TO INCREASE YOUR CHANCE OF WINNING!

Good luck!

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The Water and the Wild Blog Tour: Guest Post and Giveaway

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Spaceship in My Basement: How My Trekkie Dad Inspired My Writing
by K.E. Ormsbee

K. E. OrmsbeeThere is a spaceship in the basement of my childhood home. My dad, a civil engineer and hardcore scifi nerd, built the aforementioned ship when I was a toddler. It’s a glorious amalgamation of 2x4s, dental chairs, slide projectors, and dozens of lite-brite pieces. From the pilot’s seat, you can click through various lunar phases, watch the IMAX classic The Dream Is Alive, and command the ship using an MS-DOS shuttle launch program. In this ship, you can pay a visit to the moon, Jupiter, or the farthest reaches of deep space. And believe me, as a kid, I did all of the above.

I can’t remember a house party at my place that didn’t involve a quick trip to the moon. The spaceship was a magical experience, a talking piece, and the obsession of every childhood friend my sister and I brought home. Later, it became my go-to fun fact so often required by summer camp icebreakers. It’s saved me from many a conversational rut and even found its way into my official author biography. But only recently have I begun to contemplate the long-term effect that spaceship and my dad’s general love of scifi had on me and, by extension, my writing.

My personality is a carbon copy of my dad’s. I inherited his melancholic disposition and his obsession with all things theoretical. Growing up, he and I debated everything from Plato to predestination to the legalization of pot. He taught me the fundamentals of calculus, logic, and rhetoric. And he instilled in me an abiding love for Star Wars, Star Trek, Lost In Space, Battlestar Galactica, and The Twilight Zone. Looking back, I realize that those philosophical debates, differential equation lessons, and Friday night family movie dates all shared a common theme. They were all about asking big questions and looking for answers. (It’s just, the questions The Twilight Zone asked were way more fun to answer than the questions found in my Calc 101 textbook.)

My dad and I didn’t watch all those scifi shows and films for the special effects. (I mean, have you seen tribbles?) We watched them because their screenwriters weren’t afraid to explore difficult issues in unique ways. I remember staying awake in bed after our movie nights, brain whirring through questions about mortality, mob mentality, eugenics, treatment of “lesser” sentient beings, addictive behavior, vigilante justice, justice versus revenge, and harmful measures taken in the name of “the greater good.”

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