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4K Blu Ray Review: Justice League: Throne of Atlantis – Commemorative Edition

Justice League: Throne of Atlantis 4K Blu Ray

About the Film:
In Justice League: Throne of Atlantis – Commemorative Edition, Cyborg discovers an imminent threat in the depths of the oceans so powerful that it rallies together the newly formed Justice League. Meanwhile, wandering thousands of feet above the ocean floor is drifter Arthur Curry, a man with strange powers who may be the last chance to bridge the ancient Atlantean world with our own. Superman, Batman, Wonder Woman and the rest of DC’s Justice League must band together as they face off against warmongering Orm, an army of sea creatures, otherworldly weapons and perilous odds. In this all-new epic adventure from the DC Universe, mankind’s only hope of escaping from the darkness lies with the guiding light of a man – Aquaman!

The celebrity laden cast features primetime television stars Matt Lanter (Timeless, Star Wars: The Clone Wars, 90210) as Aquaman, Sam Witwer (Being Human, Smallville, Star Wars: Rebels) as Orm, Jason O’Mara (The Man in the High Castle) as Batman, Christopher Gorham (Insatiable, Two Broke Girls, Covert Affairs) as Flash, Nathan Fillion (The Rookie, Castle) as Green Lantern, Shemar Moore (S.W.A.T., Criminal Minds) as Cyborg, Rosario Dawson (Sin City, Daredevil) as Wonder Woman, Jerry O’Connell (Real Men Watch Bravo, The Death of Superman) as Superman, Sean Astin (The Lord of the Rings Trilogy) as Shazam, Sumalee Montano (Scandal, Critical Role) as Mera, Sirena Irwin (Superman: Unbound) as Queen Atlanna, and Harry Lennix (Man of Steel, The Blacklist) as Manta.

“Warner Bros. Home Entertainment provided me with a free copy of the DVD I reviewed in this Blog Post. The Opinions I share are my own.”

Review:
I don’t watch a lot of animated tv or films. But I love superhero stuff. And with the Aquaman film releasing soon, I wanted to check this one out. I was already familiar with this story, as Arthur Curry fights his half brother for the right to lead Atlantis. But I enjoyed the cast of characters and the numerous voice actors. Nathan Fillion as Green Lantern was the easiest to recognize. And he brought a fun and humorous element to the film, that was a great opposition to Batman’s dark, grumpy mood.

There were little things I didn’t care for – like Wonder Woman’s costume and that it was PG-13 instead of PG. The bloody violence and swearing means it isn’t for children. Which seems strange when it’s an animated superhero film that kids will want to see. But I still enjoyed the movie overall. It was fast-paced and a full cast of the Justice League – including Shazam, who was another fun addition. The special features were decent too. There’s a bonus sequence of Robin and Nightwing with a nice explanation of it’s purpose.

SPECIAL FEATURES:
Justice League: Throne of Atlantis – Commemorative Edition contains two all-new bonus features, along with special features from the film’s original release:
• Aquaman: The New King (NEW featurette) – An immersive look at Arthur Curry’s evolution from guardian of the ocean to the King of Atlantis and key member of the Justice League.
• Audio Commentary (NEW) – Renowned former DC Editor and current Creative Director of Animation Mike Carlin, Creative Director of Animation, and Throne of Atlantis screenwriter Heath Corson share their insights into the legend of Aquaman.
• Scoring Atlantis: The Sound of the Deep (Featurette) – Every great film needs a great musical score. Filled with emotion, music takes us on a dynamic journey as we adventure with the hero. Throne of Atlantis takes us on that quest through the eyes of Arthur Curry.
• Robin and Nightwing Bonus Sequence – Producer James Tucker provides video commentary for this exciting bonus sequence where Robin and Nightwing join forces.
• Throne of Atlantis: 2014 New York Comic Con Panel – The entire, lively one-hour panel discussion between actor Matt Lanter, producer James Tucker, screenwriter Heath Corson, character designer Phil Bourassa and dialogue director Andrea Romano.
• Villains of the Deep (Featurette) – From Ocean Master to Black Manta to King Shark, each villain operates from his own deep sense of conviction, presenting an incredible challenge for the hero in Arthur Curry, aka Aquaman. This documentary goes into the biographical details of the villains.
• A Sneak Peek at The Death of Superman – The Death of Superman is widely considered one of the most popular stories in the Superman canon and the DCU. This sneak peek at the exciting new film discusses the story and its place in pop culture.
• A Sneak Peek at Reign of the Supermen – An exciting look at the new film which brings the epic and emotional story of a world without the Man of Steel to life.
• Bonus cartoons from the DC Comics Vault:
o Batman: The Brave and the Bold, “Aquaman’s Outrageous Adventure!”
o Batman: The Brave and the Bold, “Evil Under the Sea!”
o Aquaman, “Menace of The Black Manta” and “The Rampaging Reptile-Men”
o Justice League Unlimited, “Far from Home”

VENOM Releases on Digital 12/11 and 4K, Blu-ray, and DVD 12/18

VENOM will be available on Digital December 11th on 4K Ultra HD™ Combo Pack, Blu-ray™ Combo Pack and DVD on December 18th.

VENOM tells the evolution story of Marvel’s most enigmatic, complex and badass character Venom! Eddie Brock (Tom Hardy) is a broken man after he loses everything including his job and fiancee. Just when his life is at its lowest, he becomes host to an alien symbiote which results in extraordinary superpowers – transforming him into Venom. Will these powers be enough for this new lethal protector to defeat great evil forces, especially against the far stronger and more weaponized symbiote rival, Riot?

Bonus Materials Include:
– Venom Mode: When selecting this mode the film will engage informative pop-ups throughout the film to provide insight on the movie’s relationship to the comics, and to reveal hidden references that even a seasoned Venom-fan may have missed!
– Deleted & Extended Scenes: These deleted and extended scenes will give fans even more of the Venom action they loved in theaters!
– Ride to Hospital – Eddie and Venom take a ride to the hospital.
– Car Alarm – Let’s just say that Venom is not fond of car alarms.
– San Quentin – Extended post-credits scene at San Quentin.
– From Symbiote to Screen: A mini documentary about the history of Venom in comics and his journey to the big screen. Interviews with Avi Arad, Matt Tolmach, Ruben Fleischer, Oliver Scholl, and Director and Comic Fanboy Kevin Smith.
– The Lethal Protector in Action: Go behind the scenes with the production crew and learn the secrets behind the awesome Motorcycle stunts, wire stunts, and drones.
– Venom Vision: A look at how Ruben Fleischer came to the project, gathered his team, and made Venom a reality. Utilizes interviews from cast, crew, and producers as well as Fleischer himself.
– Designing Venom: Designing and creating Venom meant a huge challenge for VFX artists; follow the amazing journey.
– Symbiote Secrets: Blink and you may have missed it! Enjoy the hidden references throughout the film.
– 8 Select Scenes Pre-Vis sequences: See the progression of the visual effects, storyboards and fight chorography compared to the finished film.
– “Venom” by Eminem – Music Video
– “Sunflower” by Post Malone, Swae Lee (From Spider-Man: Into the Spider-Verse)
– Spider-Man: Into the Spider-Verse Sneak Peek: Meanwhile in another universe…

4K Ultra HD™ Includes:
– Feature film presented with Dolby Vision high dynamic range and Dolby Atmos sound
– Also includes the film and special features on the included high-def Blu-ray

VENOM has a run time of approximately 112 minutes and is rated PG-13 for intense sequences of sci-fi violence and action, and for language.

Box Review: TeeBlox – November 2018

TeeBlox

“Our TeeBlox shirts are all 100% official and licensed, guaranteed. Our CommunityBlox shirts are printed with 100% independent and original designs submitted by community artists.”

Subscriptions start at $10/mo and use code: SCIFICHICK24 to get 24% off your first month!

Subscribers can pick from 3 categories right now.

*SciFiChick.com received a box for review purposes.

Continue reading Box Review: TeeBlox – November 2018

Book Giveaway: Astounding

Courtesy of Dey Street, I have a copy of Astounding by Alec Nevala-Lee for one lucky winner!

Contest is open to US residents only. No PO Boxes please. To enter, just fill out the form below. Contest ends December 14. I’ll draw a name on December 15, and notify winner via email.

ENTER DAILY TO INCREASE YOUR CHANCE OF WINNING!

Good luck!

Continue reading Book Giveaway: Astounding

Book Review: Star Wars: Millennium Falcon Book and Mega Model

Star Wars: Millennium Falcon Book and Mega Model

This over-sized book is a fun, new book for kids – all about the Millennium Falcon.

There are detailed blueprints.

And character descriptions from familiar crew.

Stunning ports of call.

Games

And best of all, you can build a model ship that measures 12″ x 12″! I haven’t put it together yet, but it’s made of a sturdy, thick foam board. The information is fascinating, the games are intriguing for kids, and the artwork and photos are vibrant. This book will make for a great snow day activity for my nieces and nephew.

Book Review: Star Wars: Scum and Villainy

Star Wars: Scum and Villainy: Case Files on the Galaxy’s Most Notorious by Pablo Hidalgo

Synopsis:
Crime in the galaxy is a constant—whether it’s seedy deals made on the lower levels of Coruscant or organized crime syndicates in the outer rim—but how galactic law enforcement has defined those crimes has shifted with each change of power.

Star Wars: Scum and Villainy profiles the misdeeds of infamous smugglers, pirates, gamblers, bounty hunters, and thieves throughout galactic history. Page through the case files of three generations of galactic law-enforcers and explore their case reports, surveillance images, warrants, artifacts, and much more in this lavishly illustrated and in-world narrated book that is showcased in a slipcase.

This stunning, over-sized book is a cross between a coffee table art book and a story book – with a really nice slip cover.

The images and character span the timeline of Star Wars.

From new characters.

To very familiar ones – the character profiles are diverse and thorough.

This book has an impressive amount of information and dossiers.

The artwork is fantastic. And the case reports are well-written and presented in a creative way. Star Wars fans will enjoy this fun collection of various characters – from rebels to the seedier elements.

Author Guest Post: Brian D Anderson

Author Brian D Anderson joins SciFiChick.com today to talk about his transition from Independent to Traditional publishing! His novel The Bard’s Blade will be released in January 2020.

Making the Change (An Indie’s Transition into the Traditional World)
by Brian D Anderson

So you’ve written a few books, had them edited, paid for a cool cover, learned how to market, and as a result, had a great deal of success selling them online. You’ve even quit your day job. Maybe bought a house or a car…or both. Life’s coming up roses. You’ve achieved something special. Something spectacular. You are a professional novelist! Moreover, you’re an experienced indie, well qualified to pass on your wisdom to the never-ending river of up-and-comers dreaming of emulating your accomplishments.

That’s more or less how I felt a few months ago. For seven years, I have enjoyed a degree of professional success in indie fantasy. Not to say I was at the top of the heap. But I sure wasn’t at the bottom. I had an agent, had made a few significant audiobook deals, and been nominated for an award or two. But that’s where it stopped. I’d reached the limit of where I could go on my own. If I wanted to continue up the ladder, I had to find a way to break into traditional publishing
My agent had submitted several times to the Big Five, without success. I was perfectly satisfied with my achievements as an indie, but the game was changing, and I was rapidly facing the possibility of fading away into obscurity. New indie talent was emerging, and they were hungry, energetic, and motivated. I’d been working at a feverish pace for seven years, and I’m not ashamed to say I was running low on steam. This new class of indies half my age could produce at a rate I simply could not keep up with. And their facility with social networking made me a horse and carriage to their self-driven car.

I decided that perhaps it was time to try something new with my stories, so I wrote The Vale, which is based on the tropes, plotting, and pace of RPG’s like Final Fantasy and Tales Of. I was aware of GameLit and LitRPG, but this was different in the sense that it read like a novelization of a game – no stats, no being sucked into the game world, no other criteria placed on the genre by its fans. I landed a substantial audio deal for the series, which basically crushed my chances to sell it to the Big Five. Still, my agent thought it was worth a shot.

As expected, they weren’t interested. However, an editor over at Tor (Macmillan) read it and liked it very much. And while unable to make an offer, asked that they be given first look at my next project. That alone sent me over the moon. By the way, I saw the lunar lander while I was up there. Take that, conspiracy theorists! I had a mountain of work to do, but I didn’t want to waste the opportunity. I had a new series in the beginning stages saved in a file, so I banged out the first few chapters along with a synopsis. Tor took a quick look and replied by saying that the complexity of the world was too much to make a decision without a complete manuscript.

So, defeated, I went back to my indie work and plodded on, forgetting all about Tor, the book, and transitioning to traditional publishing. Yeah, right! This is Tor we’re talking about. As a kid, most of the books I read came from Ballentine, Del Rey, or Tor. Becoming a Tor author would be the fulfillment of a childhood fantasy. So I shoved everything else aside and worked like my life depended on it.

After about eight weeks, The Bard’s Blade was finished. BEA (BookExpo America) was about a month away, and my agent contacted Tor, offering an exclusive look before shopping it to other publishers while she was in New York. Now, here’s where it gets weird…in a good way.

For anyone who has been through the submission process, you know how mind-numbingly, soul-suckingly, nail-bitingly long an ordeal it is. Aspiring writers can spend years finding an agent just to spend years more submitting to publishers. Tor seemed excited to read it and told us that they would have an answer ahead of the convention. While I wanted to believe this, I fully expected to hear back from them saying they couldn’t make a decision within the allotted time frame. I had mentally prepared for this likelihood so as not to drive myself nuts checking my inbox every five minutes.
Not only to my disbelief but to that of every traditionally published writer I know, this isn’t what happened. Tor received the manuscript on a Friday; on Monday they emailed my agent, stating they were interested and intended to make an offer. That alone had me grinning from ear to ear. I had three numbers in mind. What I would take; what I wanted; and the imaginary number that would not happen. There was, of course, the chance they would come back with a lowball figure that I would be forced to reject. That was the nightmare scenario. To turn down an offer from Tor would haunt me for the rest of my life.

But my astonishment increased when Wednesday arrived and my agent received a deal memo. It was to the dollar what I wanted. Sure, there was some tweaking pertaining to rights, but overall, I could not have expected better. It took a full day for me to absorb what had happened.

Once the contracts were signed, it was time for me to come to the realization that experienced as I was in the indie world, I had a lot to learn about working on a Big Five publication. To her credit as both a person and a professional, Lindsey Hall, Senior Editor at Tor, was understanding, and she bent over backwards to help me acclimate to new procedures and expectations. She was always available to talk and responded to my questions, no matter how silly.

After seven years of indie work, I’d ironed out a method of production that worked well for me. There is the first draft, of course, where I give little consideration to prose. This is for getting down the plot and fleshing out the characters. The second draft smooths out some of the rough edges. Then, depending on deadline constraints, one of two things happens. One: If pressed for time, the manuscript goes to my editor, with whom I’ve been working for five years. He knows my style intimately and can make additions and adjustment so close to the way I would write I can’t even pick them out. Or two: A third pass where I give it polish and pay close attention to detail. From there, I send it to my first editor.

Once I have it back, I give it a read through, then send it to my copy/line editor and proofreader. She’s fast, and has it back to me in a few days or a week at most. After another final read, I format it and then upload the manuscript to the online platforms.

During this period, I’m working with cover artists and interior designers for the paperback edition. I’m also busy on my social networking sites, getting the word out and prepping fans for the release. The details are many, and would take a book unto itself to explain. But from writing the first page to publication, I can produce a full length 100,000 word novel in roughly 4-5 months.

On the traditional front, though, things move at a different pace. The Bard’s Blade is not slated for release until January 2020. So the first thing I had to learn was patience. An indie making the transition must understand that this is not just a business – it’s a BIG business, with entire departments dedicated to aspects of publishing that an indie manages alone. Where I was the shot caller, now there were committees. Where I could make a choice and then act on it instantly, now even the discussions about making the decisions were scheduled months in advance. But this was not what had me screaming at my computer.

Switching to traditional publishing meant I was giving up the total dominion I’ve enjoyed over the content of my work. I was not the only one invested in the story and concerned about how it would be received by fans. There are good reasons editors pick some books and pass on others. They are there to pick winners. The books with which they are associated are closely watched by their superiors and the industry at large. How long will an editor keep their job after too many flops? In other words, my success is in a real way tied to my editor’s.

Knowing this did not make it any easier when I received the first round of revisions. Holy moly! I sat at my desk in a stupor for…I’m not sure how long. From my perspective, the entire book needed to be rewritten. Whole chapters – gone. New chapters needed. Even my beloved pointy-eared elf-like people were to be eliminated. It…it was…genocide! It was also as close as I came to refusing to go along with it.

But in the end, I set aside my ego and made the changes. And that’s really what it takes. When you make a success out of any endeavor, like I had with indie publishing, you begin to think you possess insights that you do not. You’re surrounded by people looking to you for answers on how they too can sell thousands of books and quit their day job. It makes you feel important; wise. Your association with other authors and the conversations you have can trick you into thinking it’s given you even greater perspective. But until you have experienced the pride-killing blow of being wrong about your own work; yelled at the comment box only to lose the imaginary argument; then looked at the end result of what you did (were forced to do) and grudgingly admitted how much better it turned out, you really can’t know what it’s like.

That’s not to say my skill sets learned as an indie were wasted. I work fast as a necessity. When given a month, I’d only need a few days. When plot issues arose, I was three steps ahead with solutions. And it wasn’t as if Lindsey took over the book and changed what it was about. It felt a bit like that in the beginning, granted, but that was just a visceral reaction, like when an only child has to share a toy for the first time with a new sibling. I was still the one creating the plot points, shaping the characters, building the world. But now I had someone helping me stay on track who could see what I was too close to notice.

I’m still putting out indie books, and will be for some time. Tor, surprisingly, has encouraged this. But I intend to slow my pace considerably. Three novels a year for seven years has taken a toll. Now, thanks to Tor, I’m carrying more tools in the bag, and it’s making it easier for me to move forward. There’s still so much to learn; curtains to be pulled back.
And for the first time in a while, I’m eager to find out what’s next.

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Book Giveaway: Vita Nostra

Courtesy of Imprint, I have a copy of Vita Nostra by Sergey and Marina Dyachenko for one lucky winner!

Contest is open to US residents only. No PO Boxes please. To enter, just fill out the form below. Contest ends November 30. I’ll draw a name on December 1, and notify winner via email.

ENTER DAILY TO INCREASE YOUR CHANCE OF WINNING!

Good luck!

Continue reading Book Giveaway: Vita Nostra